Low-slung baritones are a country tradition; so are big, booming vocals built for twangy power ballads. Yet, as varied as the genre can be, it isn’t often that someone comes along with a take or a tone that shakes it to the core while still keeping that center strong and solid; someone so modern it’s hard to find a point with which to compare. But listen to one moment of Chris Lane’s signature falsetto, and it’s clear there’s a new range in town. In Lane’s hands, mixing those earth-shattering high notes with banjo plucks and a danceable beat (whether that dancing is done in cowboy boots or Nike sneakers) has never felt more natural, or so unique. He may have someGirl Problems, as the title of his forthcoming debut album suggests, but he has no problem at all weaving a fresh sound that both thrills country fans and encourages pop faithfuls to dip a toe into his side of the Mason-Dixon.